Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the othWhenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.123K电影网免费提供《不安》高清中字BD1280在线播放，《不安》迅雷资源，《不安》国语,粤语版本高清在线观看，《不安》完整高清未删减版在线观看。123K电影网所有迅雷下载资源以及在线观看资源由云端程序自动抓取，如果你喜欢《不安》最新一期，欢迎分享《不安》给你的好友，本片只做交流学习，请勿用于商业利益行为，请支持《不安》正版影片！请下载观看后24小时内删除，感谢支持！《不安》在其它剧情,情,悬疑发行，123K电影网最新全集电视剧电影高清免费在线观看收集了《不安》pc网页端在线观看、手机mp4免费观看、高清云播放等资源，如果你有更好更快的资源请联系。123K电影网首页最新全集电视剧电影高清免费在线观看。（本剧情介绍由123K电影网全集电视剧电影高清免费在线观看喜欢看其它视频的电视剧TV编辑，更多相关信息可移步至豆瓣电影、电视猫或剧情网等平台了解）。相关搜索： 其它剧情,情,悬疑《不安》百度百科，《不安》主题曲，《不安》剧情介绍《不安》演员表，《不安》在线免费观看完整版。不安免费在线观看全集完整版详情
主演：亨弗莱·鲍嘉,英格丽·褒曼,保罗·亨雷德,克劳德·雷恩斯,康拉德·韦特,西德尼·格林斯垂特,彼得·洛,S·Z·萨卡尔,玛德琳·勒博,杜利·威尔逊,乔伊·派奇,约翰奎尔伦,列昂尼德·金斯基,科特·博伊斯,Enrique Acosta,Ed Agresti,Louis V. Arco,Brandon Beach,利昂·贝拉斯科,Trude Berliner,奥利弗布莱克,蒙蒂·布卢,欧仁·博登,Dick Botiller,Maurice Brierre,George M. Carleton,Spencer C
主演：亨弗莱·鲍嘉,英格丽·褒曼,保罗·亨雷德,克劳德·雷恩斯,康拉德·韦特,西德尼·格林斯垂特,彼得·洛,S·Z·萨卡尔,玛德琳·勒博,杜利·威尔逊,乔伊·派奇,约翰奎尔伦,列昂尼德·金斯基,科特·博伊斯,Enrique Acosta,Ed Agresti,Louis V. Arco,Brandon Beach,利昂·贝拉斯科,Trude Berliner,奥利弗布莱克,蒙蒂·布卢,欧仁·博登,Dick Botiller,Maurice Brierre,George M. Carleton,Spencer C
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